The final shot for 1996 highlighted the fact that many people give gifts at Christmas without really thinking about the recipient - more worried about how the gift would reflect on them. An opulent Christmas setting was built in the studio to allow the lighting to be carefully controlled. Only in this way could the shaft of light be carefully aimed at the gift held behind the model's back. As the model had to stand in the same position for several hours it was fortunate that his comfortable training shoes were not visible beneath his immaculate Armani suit.